William Brickel: Departures Magazine's cover and "A Sailor's Life for Me" editiorial commission

Departures Magazine March April 2020

The enigmatic shipmates of William Brickel's dreamlike watercolors sport this season's timeless nautical-inspired looks.

In the imaginary world of artist William Brickel, slender young men lie in states of crushing ennui, share a sorrowful glass of wine, contort their bodies in meditative poses, and tussle with each other in a way that might be fighting or foreplay. If the figures seem remarkably similar to one another, it's for good reason, explains Brickel, who's 25 and based in London. "I paint from my imagination, and the closest thing I can get to something physical, if I'm stuck, is myself," he says. "I look in the mirror, or it's quite interesting to feel a limb or something like that, and then try and paint it from the feel." In this intimate process of almost self-portraiture, the limbs in Brickel's (often large-scale) watercolors can be warped or exaggerated, creating unexpected compositions.

 

 The son of a truck driver and a housewife, Brickel was raised in England near the Welsh border and began his career in an unlikely place: As an auto mechanic he gravitated toward photography before finding his calling at the Royal Drawing School, where he graduated in 2018. He doesn't regret his time in the garage; he believes it was an important part of his journey. "In being a mechanic there was something about puzzle solving and doing something physical. It was creative as well," Brickel says. "But understandably restrictive."

 

Read the full article By Dan Rubinstein here

 

March 2, 2020